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Tracks from Asleep In Transit’s EP can also be heard on the NBTMusicRadio during the 6 PM (Berlin Time) slot
Wide-awake in a starry sky: Asleep in Transit – Jackie Horner Pub, Helen Joseph Road, Glenwood, Durban. 08 September 2012
review: Helge Janssen
This five member band, formed as a duo almost two years ago, presented the Jackie Horner pub with an acoustic set as a threesome: singer/percussion Irena Buzdugan, acoustic guitarist Allister Christie, and bassist Joshua Woolf. Vlad Buzdugan (synthesizer) and Chris McNabb (drums) were otherwise engaged.
Like the proverbial live-wire, Irina Buzdugan’s beautiful voice weaves its way around the acoustic and bass guitars, slithers through the notes sparking their intention, explores range and depth, tempo and space, stretches, evolves – holds time itself -with an ease of expression that belies its depth of persuasion. As such, Irina locates the melody outside of and between the driving rhythms with intuitive jazzy-verve. This creates space for melodic invention that is the casting point of strength of this band. With charisma to match, her exotic beauty is alluring and mesmerising, while the two guitarists wouldn’t be out of place in a vogue photographic shoot either! Allister has a natural alto voice that entwines Irina’s in an harmonic, shamanic echo-chorus – and at other times he leads – that is as pleasing as it is surprising. With his acoustic guitar, at times banjo-like, sometimes upbeat in a blue-grass kind of way, Allister forms and informs the essential fulcrum through which the performers anchor their focus while allowing space for each musician to explore their potential unhindered.
Joshua is reinventing the bass guitar: at times driving the songs rhythm, at others leading with an electric guitar-like riff, or happy to simply accentuate and prolong the dramatic use of a deep and warm bass reverb in sudden contrast to the dancing higher notes, he is always inventive. And yet, these bass guitar melodies do exactly what a bass guitar is meant to do: heighten the countering rhythm, and add depth to instrument structure.
Of particular note too is the arrangement of the songs. These have well thought out deceptively simple layers of melodies that dance around the primary rhythms sustaining aural intrigue progressively adding depth and range to the dramatic context. These performers are not afraid to play with time, have an equable performance style which belies the poignancy in their message. The songs are thought provoking, memorable and accessible. I had a strong sense of lateral thinking infusing their creative processes. This allows for maximum individual input within an infrastructure of mutual respect. Listen to “Brother, Sister” or “What a mess we must appear” which are both melancholic AND upbeat and will have you smiling!
What a Mess We Must Appear:
“Why’d you burn all the buildings?
I just don’t get it.
Why can’t you tell your smoke from fire?
I heard I’m dying tonight
and I think I just found out why..”
This rich tapestry with its counter-point surprises forms the essential drive and interest that becomes the expansive whole of ‘Asleep in Transit’. As such they have produced a unique alternative Durban sound. From this showing this band could neatly slot into the international circuit and they definitely have what it takes to rise to the top.
They might be ‘asleep in transit’ but they are very much wide-awake in transmission!
WHAT a boon! You can download their debut album FREE here: http://soundcloud.com/asleep-in-transit/sets/asleep-in-transit-ep
web site: http://www.asleepintransit.com
Durban is exploding with musical talent!